Sunday, January 27, 2013
Wednesday, January 16, 2013
brilliant oranges
Like an orange, Henri Matisse's work is a fruit of brilliant light.
Guillaume Appollinaire
Guillaume Appollinaire
Pictured: Open Window at Collioure -- Henri Matisse, 1905 (National Gallery of Art) & Still Life with Oranges -- 1913 (Musee du Louvre)
Wednesday, December 26, 2012
Wednesday, December 5, 2012
RIP to one cool cat
Monday, December 3, 2012
pablo and georges
"Two figures stand out among the creators of Cubism--Picasso and Braque...Picasso represents the adventurous and chimerical exaggeration of Spain. His genius is informed by an insatiable creative power. He is full of vagaries and fantastic imaginings, but he has always been a self-critic even in his most brilliant phases of negation. Braque, on the other hand, brought to Cubism a constructive, positive and logical element that is typically French. Picasso denies, Braque accepts...."
From The Holiday Painter -- J. Martin-Barbaz (Emerson Books, 1961)
Pictured: The Accordionist, Pablo Picasso (Wikimedia Commons) and Aria de Bach, Georges Braque (National Gallery of Art)
From The Holiday Painter -- J. Martin-Barbaz (Emerson Books, 1961)
Pictured: The Accordionist, Pablo Picasso (Wikimedia Commons) and Aria de Bach, Georges Braque (National Gallery of Art)
Sunday, November 25, 2012
Friday, November 2, 2012
the queen's many faces

Still, she was high-spirited and undeniably caught up in court society, her style and beauty at first delighting the French people, then turning against her amid accusations of adultery and extravagance. And along the way there were numerous portraits painted of Marie Antoinette as Dauphine and then Queen, notably by artist Élisabeth Vigée Lebrun as the official royal portrait painter until 1789. Lebrun went into exile after the royal family was put under house arrest by the Garde Nationale, and Polish-born Alexandre Kucharski became the official portraitist instead. One might think that by that point there would be no more royal portraits, but Kucharski did produce some paintings of Marie Antoinette in her last years, works rather different from Lebrun's sumptuous depictions. The Widow Capet's final days and death came with as much dignity as she could muster, though she was said to be also quite ill with other physical ailments -- a state suggested by the Sophie Prieur portrait modeled from a Kucharski painting. Though some were bayoneted by protestors in the heat of violence, most portraits of Queen Marie Antoinette survived the Revolution; Marie Antoinette herself, of course, did not.
Pictured:
Queen Marie Antoinette of France -- Élisabeth Vigée Lebrun,1778
Marie Antoinette in a Muslin Dress -- Élisabeth Vigée Lebrun, 1783
Marie Antoinette with Her Children -- Élisabeth Vigée Lebrun, 1787
Marie Antoinette -- Alexandre Kucharski, ca. 1791
Queen Marie Antoinette of France in the Prison Temple, ca. 1793 -- Sophie Prieur (after Kucharski)
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