I just finished writing a Suite101 article about Diego Rivera's Rockefeller Center mural in the old RCA now GE Building a/k/a 30 Rock, and how he somehow thought that he could showcase a major tribute to Lenin in 1930s Bolshevik-hating Depression-era midtown Manhattan. Nelson A. Rockefeller on behalf of the Rockefeller Dynasty said no way, and though Rivera was able to keep his commission, the work was ordered demolished.
Rivera wanted to take photos of the mural for future reference but was barred from going near the site again, although one of his assistants--the intriguingly talented Lucienne Bloch--snuck in and managed to snap some pictures herself. Rivera later replicated the project at Mexico City's Palacio de las Bellas Artes and José Maria Sert took over in New York to produce a non-controversial backdrop for the Rockefellers and their Center.
Rivera wanted to take photos of the mural for future reference but was barred from going near the site again, although one of his assistants--the intriguingly talented Lucienne Bloch--snuck in and managed to snap some pictures herself. Rivera later replicated the project at Mexico City's Palacio de las Bellas Artes and José Maria Sert took over in New York to produce a non-controversial backdrop for the Rockefellers and their Center.
This incident was part of the storylines of Tim Robbins' The Cradle Will Rock, with Ruben Blades as Rivera, and in Salma Hayek's Frida, which cast Alfred Molina as the Mexican mural master. Rivera has been played by a variety of actors, but my favorite painted portrait of him was done by Modigliani when Rivera was younger and looks sort of roundly kind-hearted and mischievous at the same time.
(Pictured: Portrait of Diego Rivera -- Amedeo Modigliani, 1914)
(Pictured: Portrait of Diego Rivera -- Amedeo Modigliani, 1914)